Anticipation is a medium size painting, in oils on canvas. The composition is warm and angular on the left, contrasted with cool colors and curves on the right. The left side of the painting is up close, where the right side is distant. The style is surreal and somewhat primitive. This is not a realistic depiction, rather a dreamlike recollection and invention of mornings in Maryland. The title suggests that all the major elements are in anticipation. The young man in the window, the barking dog, the runner, the fishermen on the bank, even the airline passengers in the sky are anticipating…something.
The Witching Hour is a medium sized painting, in oils on canvas. This painting has caused me more personal hell than any other painting I have ever created. This enchanted, nocturnal vision of a backyard in Florida, came in a flash, one night, between the hours of 3 and 4 a.m. – the “witching hour”. The dreamy vision came several weeks after a visit with relatives at a vacation rental in Dunedin, FL. The scene may be laden with wonder, and foreboding, but the people are not. The mystery is lost on them, they are civilized. Primal energy stirs, but remains unexpressed.
Nocturne in Blue: On Thin Ice. Leonard Koscianski, 42″x26″, oil on canvas, 2020.
On Thin Ice is a medium size painting in oil on canvas. It is composed primarily of blues. Most of the colors range from green blues to purple blues. It is a suburban winter scene with a skater on thin ice. Growing up on a pond we were always eager for the ice to form in the winter. We would test it when it was still pretty thin by slowly walking out on the pond, listening for cracks. The most dangerous time was in early spring when the ice would thaw unevenly creating thin spots and dangerous holes.
Life in the Suburbs. Leonard Koscianski, 42″x26″, oil on canvas, 2019.
Life in the Suburbs is a medium size painting in oils on canvas. This view of a suburban backyard uses a surreal, forced perspective that goes from a tiny cardinal in the lower left to the distant moon and clouds. This blend of Surrealism and Realism is influenced by the American Scene painters of the 1930’s, 40’s, and 50’s. George Tooker and Grant Wood come to mind.
The New Day. Leonard Koscianski, 42″x26″, oil on canvas, 2019.
The New Day is a medium size painting using oil paint on linen canvas. It is painted from the imagination. The subject is an organic, dreamlike re-creation of my morning run. It is Post Modern, and Surreal in style, and is influenced by Wayne Thiebaud, Grant Wood, Edward Hopper, and the Scene Painters of the American Midwest. It is also related in style to the now forgotten, Cleveland School of art, a group of Modern artists and designers that were loosely clustered around the Cleveland Institute of Art, from which I graduated.
Lone Wolf. Leonard Koscianski, 8″x10″, oil on panel, 2010 – 2019.
Lone Wolf is painted using oil paint on a wood panel, using organic, all natural bristle, and sable brushes. Though small in size, it is packed with a variety objects and textures including detailed renderings of the moon, a spider web, suburban homes, and sharp teeth. Surreal in style, it is a Postmodern Art re-creation of pet art. The message of this painting is that a hidden psychologically charged world lies beneath our own.
Cardinal Course. Leonard Koscianski, 42″x26″, oil on canvas, 2019.
Cardinal Course is painted with oil paint on linen canvas, all natural materials. It is Surreal and Postmodern in style. It appropriates two traditional painting types – Sports art, and Bird art, and then combines them to create an organic whole which is more challenging than its benign prototypes.
Saturday Morning. Leonard Koscianski, 42″x26″, oil on canvas, 2018.
Saturday Morning is a medium size painting, done in oil on linen canvas. It is Postmodern Art and is surreal in style. It combines painting types from the past and re-creates them as Contemporary Art. Bird Art ala Audubon is combined with Sports Art, and American primitive painting to make a visual statement about Contemporary life.
Bend in the Road. Leonard Koscianski, 42″x26″, oil on canvas, 2018.
Bend in the Road is a painting done in oils on canvas. It is medium in size, and surreal in style. It’s surrealism comes mainly from a forced perspective that distorts, and creates a curved space. The viewer starts off looking down at the foreground houses, and trees, then gradually looks straight out at the distant hills in the background. There is a change in time that parallels the change in space. It’s morning in the foreground, but still night in the background. The runners and birds convey the gradual passage of time.
The Skaters. Leonard Koscianski, 26″x42″, oil on canvas, 2018.
The Skaters is a medium size painting in oil on canvas. It is a night scene, with three skaters seen through the tree branches. The dark blues of the background contrast with the yellows and golds of the illuminated windows, as do the car lights and moon. This is more of a dream-scape than a realistic landscape. It is based on childhood memories of skating at night, on a pond, in a suburb of Cleveland, Ohio.